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Anthology 2 - Front Cover | Anthology 2 - Rear Cover |
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Anthology 2 - Inside Cover | Anthology 2 - Inside Gatefold |
Label | Apple | ||||||
Catalogue No.'s | PCSP 728 (Vinyl - Triple L.P.) CDPCSP 728 (C.D. - Double) TCPCSP 728 (Cassette) |
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Release date | 18th March 1996 | ||||||
Total time | 2 hours 7 minutes 58 seconds. | ||||||
U.K. Album Chart Detail : |
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Detail : | Anthology 2 continues to tell the story of the Beatles chronologically. This set ranges from the beginning of 1965,
through to February 1968 except for the first track "Real Love".
Unfortunately, this set is spoilt in some cases by the creation of "new" mixes from basic takes, rather than complete untouched takes ... but there are so many unavailable takes as to make this essential anyway ! The producer and project leader was George Martin.
From 22nd May 1995 George Martin with occasional assistance from Paul, George and Ringo began to re-listen, and mix
tracks intended for The Beatles Anthology albums. Additional research was by Mark Lewisohn, a local man from Essex who is responsible for the two most essential books about the Beatles ... "The Complete Beatles Recording Sessions", and "The Complete Beatles Chronicle". This release was a triple L.P. double-gatefold album set, or on a double C.D. set with the cover design by Klaus Voorman. |
Track | Composer | Recording Information | Time |
Real Love | Lennon | John piano demo with drum machine recorded New York circa 1979. Paul, George and Ringo took John's demo and enhanced the song, started February 6th 1995, completed in May. These sessions take place at Paul's Mill studio's in Sussex |
3:54 |
Yes It Is | Lennon-McCartney | 16th February 1965 - breakdown of Take 2 edited (at 1:02) into master version take 14, which has had a new remix. | 1:50 |
I'm Down | Lennon-McCartney | 14th June 1965 - Take 1. The master version is take 7. |
2:54 |
You've Got To Hide Your Love Away | Lennon-McCartney | 18th February 1965 - Take 5. Includes John count-in and false start from take 1, John's studio chat and count-in for take 2, then the complete take 5. The master version is take 9 |
2:45 |
If You've Got Trouble | Lennon-McCartney | 18th February 1965 - Take 1. Previously unreleased, this was intended to be Ringo's vocal outing on Help! ... but was replaced with "Act Naturally". Often bootlegged. |
2:48 |
That Means A Lot | Lennon-McCartney | 20th February 1965 - Take 1. Previously unreleased, the Beatles also ditched this song, giving it to P.J. Proby. Often bootlegged. |
2:26 |
Yesterday | Lennon-McCartney | 14th June 1965 - Take 1. The string quartet were overdubbed onto take 2, so this first take is the only raw Paul version. Before the complete take 1 it also includes Paul studio chat, giving chord changes to George. |
2:34 |
It's Only Love | Lennon-McCartney | 15th June 1965 - Take 2. The master version was take 6. |
1:59 |
Track | Composer | Recording Information | Time |
I Feel Fine | Lennon-McCartney | Live for the ITV show "Blackpool Night Out". Recorded and broadcast Sunday 1st August 1965 from the ABC theatre Blackpool from 9:10 to 10:05 p.m. This was the Beatles ONLY British television appearance to promote Help! ... and the first solo stage performance of "Yesterday". Often bootlegged. |
2:15 |
Ticket To Ride | Lennon-McCartney | 2:45 | |
Yesterday | Lennon-McCartney | 2:43 | |
Help ! | Lennon-McCartney | 2:54 | |
Everybody's Trying To Be My Baby | Perkins | 15th August 1965 - Live at Shea Stadium New York. This song was edited out of the film footage shown as a T.V. special on 1st March 1966, and as such, does NOT appear on the bootlegs. |
2:46 |
Norwegian Wood | Lennon-McCartney | 12th October 1965 - Take 1. The master version was take 4. Take 1 is often bootlegged. |
1:59 |
I'm Looking Through You | Lennon-McCartney | 24th October 1965 - Take 1. The master version was take 4. Take 1 is often bootlegged. |
2:53 |
12-Bar Original | Lennon-McCartney-Harrison-Starr | 4th November 1965 - Take 2 (edit !) The Beatles first instrumental since signing for E.M.I. was actually over 6 minutes long, which can be found on many bootlegs. This version is chopped down. |
2:54 |
Track | Composer | Recording Information | Time |
Tomorrow Never Knows | Lennon-McCartney | 6th April 1966 - Take 1. The master version is take 3. |
3:14 |
Got To Get You Into My Life | Lennon-McCartney | 7th April 1966 - Take 5. The master version is take 9. |
2:54 |
And Your Bird Can Sing | Lennon-McCartney | 20th April 1966 - Take 2. The master version is take 10. |
2:14 |
Taxman | Harrison | 21st April 1966 - Take 11. The master version is take 12. |
2:32 |
Eleanor Rigby (Strings Only) |
Lennon-McCartney | 28th April 1966 - Take 14. This double string quartet take was then overdubbed onto take 13. |
2:06 |
I'm Only Sleeping | Lennon-McCartney | 29th April 1966 - Rehearsal, incomplete, only final minute remained. This is a part of an instrumental rehearsal made before numbered takes began. |
0:41 |
I'm Only Sleeping | Lennon-McCartney | 29th April 1966 - Take 1. The master version was take 11, made BEFORE this first attempt at 5 more takes. |
2:59 |
Rock And Roll Music | Berry | 30th June 1966 - Live at the Budokan Hall, Tokyo. Whole show is often bootlegged. |
1:39 |
She's A Woman | Lennon-McCartney | 2:55 |
Track | Composer | Recording Information | Time |
Strawberry Fields Forever | Lennon-McCartney | November 1966 - Demo sequence made by John at home in Weybridge. | 1:42 |
Strawberry Fields Forever | Lennon-McCartney | 24th November 1966 - Take 1. | 2:34 |
Strawberry Fields Forever | Lennon-McCartney | 29th Nov. & 9th Dec. 1966 - Take 7 plus "wild drum track" edit piece. | 4:14 |
Penny Lane | Lennon-McCartney | 29/30 December 1966 to 17th January 1967. This is a concocted version made up of segments from many different takes ... therefore, an abomination ! |
3:13 |
A Day In The Life | Lennon-McCartney | 19/20 January plus 10th February 1967. Another abomination concocted mix made especially for this release. Opening talk, alarm clock and John muttering are Take 1. Main body is from Take 2. After the counting, overdub to Take 6. Then Take 2 returns leading into a new orchestral remix. |
5:04 |
Good Morning, Good Morning | Lennon-McCartney | 8th February 1967 - Take 8. The master version is take 11. This version is take 8 with a Lennon vocal added on 16th February. |
2:40 |
Only A Northern Song | Harrison | 13/14 February 1967 - Take 3. The master combined this take 3 with take 11. This mix is take 3 with vocals overdubbed from take 12. |
2:44 |
Track | Composer | Recording Information | Time |
Being For The Benefit Of Mr. Kite | Lennon-McCartney | 17th February 1967 - Takes 1 and 2 ... both breakdowns. | 1:06 |
Being For The Benefit Of Mr. Kite | Lennon-McCartney | 20th February 1967 - Take 7. The master version is take 9. |
2:33 |
Lucy In The Sky With Diamonds | Lennon-McCartney | 1/2 March 1967. Another aberration, being a concocted mix of takes 6,7, and 8. Basically take 6, tamboura from take 7, vocals from take 8. |
3:06 |
Within You, Without You | Harrison | 15/16/22 March 1967 plus 3rd April 1967. An instrumental "version" created for this Anthology. |
5:27 |
Sgt. Pepper's Lonely Hearts Club Band (Reprise) |
Lennon-McCartney | 1st April 1967 - Take 5. The master version is take 9. |
1:27 |
You Know My Name (Look Up The Number) |
Lennon-McCartney | 17th May, 7/8 June 1967 and 30th April 1969. Full (nearly) six minute version BEFORE John edited it down to four minutes for the single. Plus it is in stereo for the first time. |
5:44 |
Track | Composer | Recording Information | Time |
I Am The Walrus | Lennon-McCartney | 5th September 1967 - Take 16. The master version is take 17, this version here is before all the overdubs. Often bootlegged. |
4:02 |
Fool On The Hill | Lennon-McCartney | 6th September 1967 - Demo version. Often bootlegged. |
2:48 |
Your Mother Should Know | Lennon-McCartney | 16th September 1967 - Take 27. The master version is take "52". |
3:02 |
Fool On The Hill | Lennon-McCartney | 25th September 1967 - Take 4. The master version is take 6. |
3:45 |
Hello, Goodbye | Lennon-McCartney | 2nd and 19th October 1967 - Take 16. The master version is take 22. |
3:18 |
Lady Madonna | Lennon-McCartney | 3rd and 6th February 1968. Another new concoction mix, of takes 3 and 4. |
2:22 |
Across The Universe | Lennon-McCartney | 3rd February 1968 - Take 2. The original master version is take 8. |
3:28 |